Page 16 - Masala Lite Issue 176 August 2025
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                            THE

























                         Homegrown talent
                       Nihal Singhsachathet

          went from creating stop-motion films at

               the age of 10 to finding a home for

          his feature film at Amazon Prime Video

                          over a decade later.


                                                                              You shot the film in multiple cities around the world. What motivated you to

                           BY MAHMOOD HOSSAIN                                approach the film in this manner?

                                                                             In the earlier years, I was obsessed with Jean-Luc Godard (French filmmaker) and

                                                                             even the story of Sean Baker (writer and director of Oscar-winning Anora), on how

                                                                              he started off on an iPhone. I think the naivety of youth made me believe, “Oh, I could

                                                                             try that.” I was determined to make this film, so I read many books about short stories,
                                              nyone who is invested in the world   leaned on my own ‘international’ exposure through school and friends, and it all just

                                              of cinema, be it significant players in   fell into place. That had to be the concept for the film: seven different people being



                                              the industry, YouTube film pundits,   lonely in completely different environments such as New Zealand, London, Bangkok,

                                        or cinephiles, will tell you that making a good   and so on. Fortunately, the subjects in the film are all my friends from my years at


                                        film is a nearly impossible mission. However,   the International School of Bangkok. I was able to focus on their strengths as a

                                        it becomes an entirely different, herculean   performer, which made the filming more organic. Making this film, in a way, was kind



                                        task to make a decent film with no budget   of taking control of the narrative and showing the world as we had experienced it.
                                        and have it land on one of the world’s biggest
                                        streaming platforms, Amazon Prime Video.   That’s quite a diverse cast you have. We’re starting to see more representation on


                                        Thai-Indian filmmaker, based in New York,   the big screen, how important is that for you being a Thai-Indian creating films
                                        Nihal Singhsachathet, recently proved that   for a global audience?
                                        it could absolutely be done with his feature   For me, it’s more than just a cultural aspect or representation. It’s about authenticity.


                                        film All The Lonely People (2023), a collection   For example, I wanted to make a film about how it really was for me in high school.

                                        of seven stories capturing the lives of people   The films we saw of the American high school experience were far removed from
                                        attempting  to  overcome  life’s  everyday   our experience in Thailand. On the other hand, there are big blockbusters with roles
                                        struggles. I had the pleasure to sit down with   reserved for Indians but it feels like they just shoehorned the actor in for the sake of
                                        a promising talent hoping to share his work   it. Why? You could have easily searched for a better actor for that role. Then again,


                                        of art with the whole world, and hopefully   we’re able to make films now that we couldn’t five years ago. You have to take the

                                        leaving a lasting impression in the film industry.   good with the bad when it comes to the movement of diversity.
                                                                              But it’s important to bridge the gap. All The Lonely People gave us the space to uncover

        You must be thrilled to have your feature film landing on Amazon. How did you
        find out, what was your initial reaction?                             the universal truths within our stories—to show that even in moments in loneliness,

                                                                             confusion, or feeling adrift, there’s a shared thread of humanity that connects us all.
        It feels incredibly surreal. I had to do all the legwork to get this film where it is today.

        In fact, I’m still in discussion with companies to secure distribution. Unfortunately,   What’s next on the credits list?
        the film isn’t being streamed in Asia, so that’s a priority at the moment. It’s a funny   I’ve got a few script ideas pasted on my wall. But the most pressing project right now is


        process because they don’t email or notify you that the film has been released,   shooting music videos; this will keep me engaged until I can work on the next feature

        you’re left to find out for yourself. I happened to check for it as I was falling asleep   in a year or two. However, this time, a little bit of money in the budget would be nice

        and genuinely felt it wasn’t real. I thought I would wake up the next morning and it   [chuckles]. All The Lonely People was definitely a learning experience, and I felt proud

        would have been just a dream. But there it was. It was honestly the most beautiful   of what I was able to accomplish without financial
        thing. All of a sudden, my work was being taken seriously.            backing but it’s not something I would want to endure
                                                                             for the second time. Ultimately, I want to explore what   VIEW VIDEO
        When did you know you had something truly special in your hands?
                                                                              New York has to offer right now. It’s almost turning into

        I grew up around my mother watching Bollywood movies and shared a few Hollywood   Los Angeles, where every block feels like a movie set.
        ones with my father. So, early on, I would always show my work to my mother; she   I’m letting life here guide me where I need to be rather
        has always been a really good test audience. She’s very stringent when it comes   than imposing myself on how I would do things my way.
        to critiquing work. When she saw All The Lonely People, she said, “I was looking for

        something wrong but I couldn’t find it.” I was stunned. She’s very sophisticated in   Spoken like a true artist.
        these matters, but her tastes are what they are. She’s not going to bend her tastes
        for you, no matter who you are.
        MASALA LITE  ISSUE 176 -  AUGUST 2025
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